Friday will be an exciting time for Corrs fans. The Irish siblings will release their first album in ten years when 'White Light' hits the shelves on the busiest shopping day of the year. While Radio 2 have firmly got behind the band's comeback since June this is where the hard work will hopefully start to pay off. Sure their comeback performance was extremely well received on a beautiful Sunday in September (trust me I was there!) but the question is whether that will translate to album sales and a sold out tour?
While we wait in anticipation I got thinking about the band's rich back catalogue. There may be many people who like me are digging out their old CDs or perhaps even some new fans who are just discovering this great quartet. With that in mind, I used my self proclaimed fantastic knowledge of the Corrs and picked out 5 songs that are often overlooked. If you're wanting to delve deeper than the likes of 'Breathless' and 'Runaway' then you've come to the right place...
Somebody for Someone
2000's 'In Blue' arguably saw the Corrs reach their peak with 'Breathless' clocking in as their first (and currently only) UK Number 1. Some of the tracks on this album have the fingerprints of legendary producer Mutt Lange (AC/DC, Def Leppard, Shania Twain) all over them. 'Somebody for Someone' while not produced by Lange is an underrated gem. Like other tracks in their back catalogue, 'Somebody for Someone' is lyrically dark in places but promotes the idea that love shines through in 'the cruelest of worlds.' Truly underrated.
Queen of Hollywood
A fan favourite here. The band's sophomore effort 'Talk On Corners' was not only the best selling album of 1997 but spawned a crazy amount of hit singles. One choice cut that wasn't released however was this one. 'Queen of Hollywood' tells the bittersweet story of a girl's dreams of fame and fortune and how the reality isn't quite the same. A live staple during the band's first tenure here's hoping it crops up again in January. Below is a live version from their Borrowed Heaven tour in Geneva.
Time Enough For Tears
Speaking of Borrowed Heaven that's where this lovely track pops up. Something of an underrated album in general, Time Enough For Tears is just one of many highlights of Borrowed Heaven. The song was actually used in the film 'In America' and was even nominated for a golden globe for best original song! U2's Bono was one of the writer's of the song once again proving the esteemed company that the Corrs travel in.
Borrowed Heaven
Another one from their fourth album, this time the title track itself. What makes this one stand out is the beautiful chorus from the legendary Ladysmith Black Mombazo; surely another tick on the bucket list for Andrea and the gang! Simply stunning.
Lifting Me
Now this one's a rarity if ever I heard one! Remember in the late 90s early 00s when bands and singers released a song especially for Pepsi? The likes of the Spice Girls and Britney Spears and yes The Corrs had their own advert for Pepsi and the song was available on CD... if you sent off for it of course. That means that this one is pretty rare although it has been said it appears on the odd Greatest Hits album. Check out the advert and full song below!
So will there be any other beautiful songs ready to be discovered on 'White Light'? Of course there will! It's out this Friday and you can be sure it will be reviewed right here at Norris Approved!
Agree? Disagree? Please feel free to tweet me @Norrisapproved3 or like my page on Facebook!
Sheffield's greatest export release their first album of original material in seven years, but was it worth the wait?
Release Date:30th October 2015 (Classic Rock Fan Pack Edition/iTunes)
Chart Peak: 11
I preface this review by saying the following: Def Leppard are my happy band. If I'm having a particularly good day and I have places to be, Def Leppard's unique brand of pop metal will no doubt be the soundtrack to my good vibes. They have a back catalogue of hits that would make most bands green with envy. Songs like 'Pour Some Sugar On Me', 'Photograph' and 'Rock of Ages' will no doubt highlight the band's UK tour throughout December and are forever etched in rock and roll history. That being said dig a little further and Def Leppard are a band who have constantly flirted with diversity and eclecticism since their 'Hysteria' days. While mid nineties album 'Slang' saw Joe and company try their hand at a grungier sound, 2002's 'X' saw them working with songwriters who'd previously teamed up with the likes of Britney Spears! It's this deceivingly diverse body of work that has contributed to the band simply calling this album 'Def Leppard'. As lead singer Joe Elliot explains "It's just called Def Leppardbecause that's what it sounds like. It doesn't sound like any one specific era of Def Leppard. It's got everything."
If you're a fan of the Def Leppard that let you know that 'Love is like a bomb' then don't worry too much. Album opener 'Let's Go' sounds like something straight out of Leppard's 1987 heyday with a riff that is so close to 'Sugar' that if any other band came up with it, Def Leppard may have had good grounds for copyright infringement. The harmonies that we all love are there as strong as ever. In short 'Let's Go' is probably the strongest first single from a Def Leppard album since 'Promises' from 1999's 'Euphoria'. "Welcome to the carnival" indeed!
Just as you're catching your breath, 'Dangerous' bolts out of the gate with the kind of killer riff usually reserved for an album like 'Pyromania'. What's of great comfort to this listener is how great Joe Elliot sounds. While some have argued that his voice has lost a lot of it's power over the years, Joe sounds as good as he has for a long time. If 'Let's Go' is the strong opener we all were hoping for, 'Dangerous' builds on such strong momentum. Meanwhile 'Man Enough' starts to break into that diversity we discussed earlier. With a bassline that Queen's John Deacon would be proud of, Leppard have got a song that clearly takes influence from Queen's 'Hot Space' era. It wouldn't sound entirely out of place on the aforementioned 'Euphoria' album and is just an indication that Def Leppard are more than just heavy riffs and screeching solos.
'We Belong' is a special treat for hardcore Leppard fans as all the members of the group share vocals throughout the verses. It makes total sense. We know they have great voices thanks to the beautiful harmonies that litter their back catalogue. It's a rare chance to hear each voice shine through on it's own and reminds us that it's more than Joe that's responsible for those harmonies.'Invincible' according to an interview with Joe in Classic Rock Magazine was the first song to come out of the sessions for the album. While it doesn't have the pomp and circumstance of a 'Let's Get Rocked' or 'Animal', it is a tight, chugging rock track that would have sat nicely on 2008's 'Songs From The Sparkle Lounge'. Where 'Invincible' improves on tracks from '...Sparkle Lounge' is the production. While their previous album sounded sparse in places, there is no sign of the same problem here.
The only way to describe 'Sea of Love' is as a definitive highlight. From the high pitched Queen-esque harmonies kicking off the track to the instant singalong chorus, 'Sea of Love' is the one song from the album that I've caught myself singing the most since purchasing this album. I also have to wonder if the lyric 'Keep yourself alive/take your mission to survive' is a cheeky reference to their mutual love of Freddie and co. The next track 'Energized' despite the name is somewhat of a drop in tempo in comparison to the likes of 'Dangerous' or 'Sea of Love'. That being said the song has the feel of a slightly upbeat version of 'Breathe A Sigh' from 'Slang'. By this point in the album we're deep into another side of Def Leppard. 'All Time High' once again has a '...Sparkle Lounge' kind of vibe but once again it's the harmonies that really stand out in this one.
'Battle of My Own', an acoustic offering for most of it's short run time has some interesting production going on too. It's the first song on this album that points towards what Def Leppard could become rather than what they have been in the past. While 'Broke 'n' Brokenhearted' has some pretty cornball lyrics to start with ("you've got no class, you're so crass/Get over here I'll kick your ass") there's still a great singalong chorus to save it. Once again those damned harmonies are there to show us what a force Def Leppard have been for decades now. Similarly 'Forever Young' isn't the strongest track on the album but a riff reminiscent of 'Nine Lives' and some more great harmonies help it hold it's own. 'Last Dance' is the closest this album gets to a track like 'Two Steps Behind' and certainly feels more reflective than most of the album at this point. It's placed perfectly on the album and would certainly feel at home as part of their acoustic section during the upcoming tour.
If Def Leppard's aim as they proclaim is to give us a cross section of their entire career, it certainly becomes more evident by the end of the album. To compare a track like 'Dangerous' to 'Wings of an Angel', showcases many differences between them. Of course that definitive Def Leppard sound is there but those initial tracks that open the album ape that classic 'Hysteria' sound. 'Wings of an Angel' like many other tracks on the second half of 'Def Leppard' is much more faithful to the latter end of the band's career. Album closer 'Blind Faith' couldn't be any different to the aforementioned 'Dangerous'. Some beautiful guitar work from Vivian Campbell and Phil Collen interweaves around Joe's vocal in a way that works sublimely. Although the band intend to continue to tour and record, they have admitted that they recorded 'Blind Faith' in the mindset that it was the last track they'll ever record. Joe even hits notes that he may not have attempted since the heady days of 'Pyromania'. It's a thoughtful end to an album that does exactly what the band promised it would do. If you're looking for 'Hysteria' Part 2 then once tracks 1 and 2 are over you may as well look elsewhere. If however you've been a fan of their output long after Nirvana and grunge made glam metal 'uncool' then 'Def Leppard' is the proof you need of how eclectic the band's output has been since then. Here's to more from Sheffield's finest! From the sounds of things they have a lot more left to give.
The Meet and Greet. It's the ultimate access to your favourite band or singer. If only for a brief moment you have an audience with someone who has soundtracked your life. I see why it's such a big deal. This post is timely personally for two reasons. First of all as I have mentioned in several posts here at Norris Approved I will be seeing hard rock band Fozzy in under two weeks and have shelled out for the VIP experience. What really drove me to put this piece together is reports of a Demi Lovato fan speaking out about the shoddy VIP experience they received.
Josh Helfgott whose Instagram post has gone viral since his VIP experience says it so much better than I can. Here are his thoughts on Demi Lovato's attitude during the meet and greet:
A photo posted by Josh Helfgott (@joshhelfgott) on
As you can see Josh has really been affected by his experience. Kudos on him for calling Demi out on her behaviour. I don't know how much he spent but judging from the cost of equivalent VIP tickets for other artists I'm assuming we're at least around the $400 mark. I wasn't there so it's not my place to question Demi on any of her actions that day but it certainly seems damning.
What's sad is that that isn't the only instance I've heard of of artists being blase or downright rude to people who have spent hundreds to meet their idols. A good friend of mine has a similar story from when she met one of her all time favourite bands but that is her story to tell. My point being that it seems that some musical acts take money from their biggest die hard fans and can't even feign that they want to be there. A brief Google search will give you multiple examples of Justin 'Douchebag' Bieber being rude to fans who've spent loads of their hard earned money to meet him.
Then of course there's Avril Lavigne...
Of course we all know that getting a photo with a celebrity means 'just in the vicinity' or 'an arm's length away' from them.
So what's my point? Well I guess I just feel bad for people who spend so much money only to be sorely disappointed. "But Mike!" I hear you cry. "You just told us you bought VIP tickets for Fozzy!" That's right. I have indeed. So do I think it will be different. I certainly hope so and if previous VIPer's experiences are to go by I have a feeling it will be a truly memorable night!
A quick Google of VIP packages will show you that fans can expect to pay anything from £200 right up to thousands of pounds! Fozzy's VIP package has only cost me approximately £65 a ticket! Now bear in mind that their lead singer Chris Jericho is one of the most recognised and popular pro wrestlers on the planet and already we're talking great value. However this isn't a normal meet and greet by the sounds of things. Oh no. When I initially bought the tickets for me and my good friend Phil, I was buying access to the band's soundcheck, first dibs to the merch stand, a photo with the group and autographs. I've since received an email telling me that there is now going to be a Q&A with the band before the show. Oh and that 'soundcheck' I mentioned. Imagine going to see one your favourite bands do their soundcheck and this happening...
Hamburg Private Show
FOZZY VIP's get a private show where they select the songs. Not everyone gets to front the band, but this VIP in Hamburg did! Don't miss your chance to hang out with us! Upgrade to VIP here NOW: http://bit.ly/1ENEVwy
Posted by Fozzy on Wednesday, 18 November 2015
So yes. 'Holy' and 'Shit' are the words I believe you're looking for. Am I boasting a bit? Yeah I guess I am. Am I excited? Absolutely! Fozzy are a great band. They may not be performing at the MTV Awards but they sure as hell know how to look after their fans. Maybe Demi Lovato should check out Fozzy's Facebook page.
Until next time I'm out. Feel free to share this about or comment below or @NorrisApproved3
The events of November 13th 2015 will forever be etched in the minds of the Western world. As thousands of innocent people enjoyed a Friday night out in Paris, many would be mercilessly and viciously killed by ISIS terrorists who will go to the most extreme lengths to destroy our way of life. It was the worst terrorist attack in Europe since the London Bombings ten years ago and the worst attack on France since World War II. As my wife and I watched the events unfold on BBC News I felt physically sick. I genuinely struggled to sleep once the news broke and like so many of my friends and family, those affected have been at the forefront of my mind since Friday night.
As someone who enjoys watching live music on a regular basis, it is that aspect of the Paris attacks that got to me the most. The Bataclan Concert Hall was the site of horrific acts of murder and fear mongering that night as terrorists brought an Eagles of Death Metal gig to a standstill as they remorselessly shot innocent people one by one until the police made their way into the venue. The accounts of fans who were at the show are beginning to appear in the media today and I can't even begin to comprehend what these people went through just forty eight hours ago.
In the days since the horrific attacks, international bands like Foo Fighters, Motorhead and U2 have made the decision to postpone touring in France and other parts of Europe or had the decision made for them by the French authorities. Deftones were due to play the Bataclan over three nights as we speak but as I'm sure we can all understand those shows have also been cancelled. You absolutely can't blame these bands or the French government. France needs time to recover from what has happened and most importantly everyone needs to stay safe.
Bono has been quoted in the press today as saying:
"this is the first direct hit on music that we’ve had in this so-called War on Terror. And it’s very upsetting. These are our people. ... The cold-blooded effect of this slaughter is deeply disturbing and that's what I can't get out of my head.”
It's a very astute observation and one that shows how close to home this has affected the U2 singer. The band were rehearsing mere miles away from the Bataclan when the attacks began. The events in Paris have had everyone asking all sorts of questions. Personally I'm travelling to London in January to see the Corrs at the O2; arguably the country's most famous arena. For the first time in 13 years of gig-going I'm questioning my safety. Perhaps it was naive of me not to feel this way earlier. It has taken an extreme example of terrorism to showcase how exposed such an environment can be without top security. Then what about other major cities? A colleague I work with informed me that Eagles of Death Metal played in Newcastle as recently as Monday; in a venue I've been to frequently no less. That's an extremely sobering thought. What a difference a few days makes. However while it's easy to fall into the trap of worrying and questioning our safety at live gigs, it's vital at this time more than ever to not let the terrorists win.
As I've mentioned once or twice on this blog I have tickets to see Fozzy in Newcastle in less than three weeks. The band themselves have spoken out and said that if the French authorities allow them to, they will play their French date in Vaureal next Friday. They are determined to show these animals that they won't destroy our way of life and that we will go to concerts and festivals without fear. As daunting and scary as that may sound to some it's exactly the attitude we should all adopt. Why should these extremists stop us doing something that we love? There is no feeling quite like watching a band or singer you love performing your favourite song and an audience singing right back to them. The memories that live music can create are extraordinary.
The first time I heard Brian May's Red Special live.
The chills that I got all three times I heard 'Ecstasy of Gold' play over the speakers and I KNEW that Metallica were about to perform.
Seeing Paul Stanley fly across the arena as he performed 'Love Gun'.
These are memories that will live with me forever. I'm sure that you have memories of your own. That's what's at stake. When Fozzy arrive in Newcastle on December 3rd I'll sing just as loudly as ever and rock out just as hard as I always do. If I let what happened in Paris get to me then ISIS have won. If they had their way we'd live in fear and never go to a concert, a football match or any public event ever again. I for one would rather rock out defiantly.
If the past ten years in music has taught us anything it's that reunions are big business! Just about every band and their mothers are reforming in the hopes of recapturing their glory years, yet admittedly they've had varying levels of success. For every Take That success story there's an All Saints disappointment we'd all rather just forget. While some are content with one show to appease their hardcore fanbase (here's looking at you Led Zeppelin), others have decided to stay together full time and make another go of it.
It's funny as there's so many reasons why artists decide on the big comeback, however since the launch of ITV2's 'The Big Reunion' a few years back the idea of a comeback tour comes with cynical connotations. Barbed comments such as "Oh they all must be broke now!" or "I guess Celebrity Big Brother didn't want them." indicate that we as music fans look on the idea of bands reforming as a way to make a quick buck and therefore not of much interest. Of course Take That reforming back in 2006 wasn't the first time a group reunited. It just seems that since the 90's favourite boy band became Britain's favourite man band that literally dozens of bands have thought they want a piece of that nostalgic action.
Genre is irrelevant. Within this decade alone I have seen reunited bands such as The Darkness and Rage Against The Machine live in concert so it's not as if this is merely a pop phenomenon. So I guess the question is this. In a musical climate where bands and singers from decades past are making another go of it how do you make sure that YOU are back on top of the charts and not in Amazon's Used and New section.
On Chris Evan's Radio 2 Breakfast show back in June, Chris announced the first act for Radio 2's Hyde Park Festival this year. That band was the Corrs; a band that hadn't performed together in public since 2004. The excitement amongst their fans was impalpable. This wasn't just some rumour or wishful thinking. Andrea Corr was on national radio confirming that her siblings would play together once again. Not only that but there was a new album on the way too! I was alone in my house but I'm not ashamed to say I got ridiculously excited.
Now I know what some of you are thinking. Looking back through this blog will tell you that I'm a huge fan of rock music. Genres like hard rock, classic rock and heavy metal litter the pages of Norris Approved. What is it about the Corrs that I love so much? Authenticity. I've been a fan of the Corrs for a long time. In an ironic twist it was actually 11 years ago today as I write this that the Corrs played the Metro Radio Arena on their 'Borrowed Heaven Tour'. It was in fact one of the first gigs by any band that I ever attended and I still remember what a fantastic show it was. Back in the late 90's, early 00's, the Corrs were a refreshing change of pace in music. There were so many boy bands, girl bands and bubblegum pop flooding the charts. The Corrs were a family of musicians who weaved their Irish heritage into effortlessly refreshing pop songs. They wrote their own songs, musically and lyrically and performed them on stage with such passion and precision. Yet as they hit the mainstream they were able to appear on shows like SMTV Live on a Saturday morning along with their manufactured contemporaries.
What was their secret? Cynics would say their looks took them a long way. I'm pretty confident however that their looks didn't get them to South Africa performing for Nelson Mandela's 46664 charity. I'm also sure that they wouldn't have played such places like the Royal Albert Hall or the Montreux Jazz Festival just because they were blessed with beautiful genes. The likes of Mick Fleetwood, Bono and Ronnie Wood don't perform with just anyone. So it seems that the Corrs were a band to be truly reckoned with for their musical prowess rather than their admittedly stunning appearance. The band say it best in an article published by the MailOnline just yesterday:
Today they roll their eyes when the issue of sexuality in pop is raised. ‘I just don’t want to see any more a** shots or women twerking into cameras,’ says Sharon.‘I love Taylor Swift, I love Adele because they are all about the music. We were never selling sex, we were selling our songs.‘We are women, we are musicians. We knew people would look at us but we wanted to make them listen to the music. 'Right now we have the Suffragette movie out, telling us about how women fought for rights, but in our industry we seem to have gone right back.’
Let's jump back to last summer. So it's official. The Corrs are reforming. My only fear was simply whether the music buying public would remember them. I did of course and so did my friends (maybe because of me) but music fans can be fickle. Plus I do have a tendency to get excited about things that others don't. I remember being convinced that a Def Leppard show would sell out in 2008 only to be shocked to find I could get standing tickets on the door! Would a generation obsessed with reality TV stars and the Kardashians have room for a hard working, talented family band? So far the answer appears to be so far so good!
Once the Hyde Park show had been announced things went rather quiet on the Corrs front. Frustratingly so. This however was a masterstroke. Jim Corr posted the odd photo of the band in the studio or a cryptic tweet here and there but that was pretty much it. It just make the excitement grow. As September approached the Internet seemed abuzz with talk of the comeback show at Hyde Park. I live in Durham and was travelling down by car. People were travelling from as far as Brazil to see this performance... and I thought I was committed! Here's what I wrote in a previous post about that day:
They're a phenomenal family band, all of whom are multi-instrumentalists and excellent singers. They're closer to the likes of Fleetwood Mac than the bubblegum pop that surrounded them in the late 90s. It's that reason that they were given a rapturous reception by Hyde Park. The feeling was indescribable. It was like seeing old friends for the first time in years. I was just ridiculously happy. The Corrs haven't missed a beat and they ran through the hits in quick succession. By the time they played 'Toss the Feathers' to end the set, their 30 minute set had felt like 10. I loved every minute but wanted more- surely the aim of any live band.
In hindsight the short time slot was again a masterstroke. When their performance was first announced I'd assumed that they were headlining, after all ELO had reformed to headline the same festival last year. Thirty minutes wasn't long but it was just enough to get everyone excited. For those who were there for other performances or watching at home, the band delivered a great setlist. Songs like 'Breathless', 'What Can I Do' and 'Dreams' reminded people of just how great the Corrs are and how phenomenally successful they were. This isn't just some boy band looking to make a quick buck. It's a band with a strong, hit-filled back catalogue picking up where they left off. The Hyde Park show got everyone wanting to know what came next. What comes next is a new album just before Christmas (the first in ten years) and a UK tour in 2016.
I already have my tickets for the tour (although they're sadly missing out Newcastle this time) and I'm certainly very excited for the album. I was rooting so heavily for them to get to No.1 with the album upon it's release on November 28th but with a certain Adele releasing her 3rd album the week before I have a feeling she will stay top of the tree until at least the new year. That doesn't mean however that the Corrs can't have a great selling album and I am pretty confident that that will be the case. After hearing their new single 'Bring On The Night' and seeing them at Hyde Park, it's clear that the band never lost a bit of talent. I for one can't wait to see them again in January at the O2.
If you like me are excited that the Corrs are back, here's a few things you can do:
Make sure you're following @TheCorrsMusic on Twitter. They're posting plenty of updates on the new album and @JimCorrsays is very active at the moment too!
Get that album pre-ordered. We all know it's going to be good! You'll just be kicking yourself if you don't. 'White Light' is out on November 27th.
If you can afford it get yourself a ticket to one of the dates on their 2016 tour. The dates are just below.
Finally spread this post around. Hopefully my excitement is infectious and we can keep Ireland's favourite family band around for a long time to come!
